Hollywood be thy name : African American religion in American film, 1929-1949 (电子图书, 2007) [Fuller Libraries]
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Hollywood be thy name : African American religion in American film, 1929-1949

Hollywood be thy name : African American religion in American film, 1929-1949

著者: Judith Weisenfeld
出版商: Berkeley : University of California Press, 2007.
丛书: George Gund Foundation book in African American studies.
版本/格式:   电子图书 : 文献 : 英语查看所有的版本和格式
提要:
From the earliest years of sound film in America, Hollywood studios and independent producers of ""race films"" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed images of African American religion, Judith Weisenfeld explores these cinematic representations and how they reflected and contributed to complicated discourses about  再读一些...
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详细书目

类型/形式: Electronic books
材料类型: 文献, 互联网资源
文档类型 互联网资源, 计算机文档
所有的著者/提供者: Judith Weisenfeld
OCLC号码: 769412764
描述: 1 online resource (xiii, 341 p.) : illustrations
内容: "'Taint what you was, it's what you is today": Hallelujah and the politics of racial authenticity --
"'De Lawd' a natchel man": The green pastures in the American cultural imagination --
"A mighty epic of modern morals": black-audience religious films --
"Saturday sinners and Sunday saints": urban commercial culture and the reconstruction of black religious leadership --
"A long, long way": religion and African American wartime morale --
"Why didn't they tell me I'm a Negro?": Lost boundaries and the moral landscape of race.
丛书名: George Gund Foundation book in African American studies.
责任: Judith Weisenfeld.

摘要:

From the earliest years of sound film in America, Hollywood studios and independent producers of ""race films"" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed images of African American religion, Judith Weisenfeld explores these cinematic representations and how they reflected and contributed to complicated discourses about race, the social and moral requirements of American citizenship, and the very nature of American identity. Drawing on such textual sources as studio production files, ce.
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