Hollywood be thy name : African American religion in American film, 1929-1949 (電子書, 2007) [Fuller Libraries]
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Hollywood be thy name : African American religion in American film, 1929-1949

Hollywood be thy name : African American religion in American film, 1929-1949

作者: Judith Weisenfeld
出版商: Berkeley : University of California Press, 2007.
叢書: George Gund Foundation book in African American studies.
版本/格式:   電子書 : 文獻 : 英語所有版本和格式的總覽
提要:
From the earliest years of sound film in America, Hollywood studios and independent producers of ""race films"" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed images of African American religion, Judith Weisenfeld explores these cinematic representations and how they reflected and contributed to complicated discourses about  再讀一些...
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詳細書目

類型/形式: Electronic books
資料類型: 文獻, 網際網路資源
文件類型 網際網路資源, 電腦檔案
所有的作者/貢獻者: Judith Weisenfeld
OCLC系統控制編碼: 769412764
描述: 1 online resource (xiii, 341 p.) : illustrations
内容: "'Taint what you was, it's what you is today": Hallelujah and the politics of racial authenticity --
"'De Lawd' a natchel man": The green pastures in the American cultural imagination --
"A mighty epic of modern morals": black-audience religious films --
"Saturday sinners and Sunday saints": urban commercial culture and the reconstruction of black religious leadership --
"A long, long way": religion and African American wartime morale --
"Why didn't they tell me I'm a Negro?": Lost boundaries and the moral landscape of race.
叢書名: George Gund Foundation book in African American studies.
責任: Judith Weisenfeld.

摘要:

From the earliest years of sound film in America, Hollywood studios and independent producers of ""race films"" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed images of African American religion, Judith Weisenfeld explores these cinematic representations and how they reflected and contributed to complicated discourses about race, the social and moral requirements of American citizenship, and the very nature of American identity. Drawing on such textual sources as studio production files, ce.
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