I don't sound like nobody : remaking music in 1950s America (Libro-e, 2010) [Fuller Libraries]
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I don't sound like nobody : remaking music in 1950s America

Autor: Albin Zak
Editorial: Ann Arbor : University of Michigan Press, ©2010.
Serie: Tracking pop.
Edición/Formato:   Libro-e : Documento : Publicación gubernamental estatal o provincial : Inglés (eng)Ver todas las ediciones y todos los formatos
Resumen:
The 1950s marked a radical transformation in American popular music as the nation drifted away from its love affair with big band swing to embrace the unschooled and unruly new sounds of rock 'n' roll. The sudden flood of records from the margins of the music industry left impressions on the pop soundscape that would eventually reshape long-established listening habits and expectations, as well as conventions of  Leer más
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Detalles

Género/Forma: Electronic books
Criticism, interpretation, etc
Formato físico adicional: Print version:
Zak, Albin.
I don't sound like nobody.
Ann Arbor : University of Michigan Press, ©2010
(DLC) 2010014120
(OCoLC)605019233
Tipo de material: Documento, Publicación gubernamental, Publicación gubernamental estatal o provincial, Recurso en Internet
Tipo de documento Recurso internet, Archivo de computadora
Todos autores / colaboradores: Albin Zak
ISBN: 9780472024544 047202454X 1282882961 9781282882966 9786612882968 6612882964
Nota del idioma: English.
Número OCLC: 671648362
Descripción: 1 online resource (x, 308 pages, 6 unnumbered pages of plates) : illustrations
Contenido: Records on the radio --
Shifting currents in the mainstream --
Hustlers and amateurs --
Crossing over --
Surface noise --
"Hail! hail! rock and roll" --
New traditions.
Título de la serie: Tracking pop.
Responsabilidad: Albin J. Zak III.

Resumen:

The 1950s marked a radical transformation in American popular music as the nation drifted away from its love affair with big band swing to embrace the unschooled and unruly new sounds of rock 'n' roll. The sudden flood of records from the margins of the music industry left impressions on the pop soundscape that would eventually reshape long-established listening habits and expectations, as well as conventions of songwriting, performance, and recording. When Elvis Presley claimed, "I don't sound like nobody," a year before he made his first commercial record, he unwittingly articulated the era's musical Zeitgeist. The central story line of I Don't Sound Like Nobody is change itself. The book's characters include not just performers but engineers, producers, songwriters, label owners, radio personalities, and fans--all of them key players in the decade's musical transformation [Publisher description]
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