I don't sound like nobody : remaking music in 1950s America (电子图书, 2010) [Fuller Libraries]
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I don't sound like nobody : remaking music in 1950s America

著者: Albin Zak
出版商: Ann Arbor : University of Michigan Press, ©2010.
丛书: Tracking pop.
版本/格式:   电子图书 : 文献 : 州政府或者省政府刊物 : 英语查看所有的版本和格式
提要:
The 1950s marked a radical transformation in American popular music as the nation drifted away from its love affair with big band swing to embrace the unschooled and unruly new sounds of rock 'n' roll. The sudden flood of records from the margins of the music industry left impressions on the pop soundscape that would eventually reshape long-established listening habits and expectations, as well as conventions of  再读一些...
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详细书目

类型/形式: Electronic books
Criticism, interpretation, etc
附加的形体格式: Print version:
Zak, Albin.
I don't sound like nobody.
Ann Arbor : University of Michigan Press, ©2010
(DLC) 2010014120
(OCoLC)605019233
材料类型: 文献, 政府刊物, 州政府或者省政府刊物, 互联网资源
文档类型 互联网资源, 计算机文档
所有的著者/提供者: Albin Zak
ISBN: 9780472024544 047202454X 1282882961 9781282882966 9786612882968 6612882964
语言注释: English.
OCLC号码: 671648362
描述: 1 online resource (x, 308 pages, 6 unnumbered pages of plates) : illustrations
内容: Records on the radio --
Shifting currents in the mainstream --
Hustlers and amateurs --
Crossing over --
Surface noise --
"Hail! hail! rock and roll" --
New traditions.
丛书名: Tracking pop.
责任: Albin J. Zak III.

摘要:

The 1950s marked a radical transformation in American popular music as the nation drifted away from its love affair with big band swing to embrace the unschooled and unruly new sounds of rock 'n' roll. The sudden flood of records from the margins of the music industry left impressions on the pop soundscape that would eventually reshape long-established listening habits and expectations, as well as conventions of songwriting, performance, and recording. When Elvis Presley claimed, "I don't sound like nobody," a year before he made his first commercial record, he unwittingly articulated the era's musical Zeitgeist. The central story line of I Don't Sound Like Nobody is change itself. The book's characters include not just performers but engineers, producers, songwriters, label owners, radio personalities, and fans--all of them key players in the decade's musical transformation [Publisher description]
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