I don't sound like nobody : remaking music in 1950s America (電子書, 2010) [Fuller Libraries]
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I don't sound like nobody : remaking music in 1950s America

作者: Albin Zak
出版商: Ann Arbor : University of Michigan Press, ©2010.
叢書: Tracking pop.
版本/格式:   電子書 : 文獻 : 州政府或者省政府刊物 : 英語所有版本和格式的總覽
提要:
The 1950s marked a radical transformation in American popular music as the nation drifted away from its love affair with big band swing to embrace the unschooled and unruly new sounds of rock 'n' roll. The sudden flood of records from the margins of the music industry left impressions on the pop soundscape that would eventually reshape long-established listening habits and expectations, as well as conventions of  再讀一些...
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詳細書目

類型/形式: Electronic books
Criticism, interpretation, etc
其他的實體格式: Print version:
Zak, Albin.
I don't sound like nobody.
Ann Arbor : University of Michigan Press, ©2010
(DLC) 2010014120
(OCoLC)605019233
資料類型: 文獻, 政府刊物, 州政府或者省政府刊物, 網際網路資源
文件類型 網際網路資源, 電腦檔案
所有的作者/貢獻者: Albin Zak
ISBN: 9780472024544 047202454X 1282882961 9781282882966 9786612882968 6612882964
語言註釋: English.
OCLC系統控制編碼: 671648362
描述: 1 online resource (x, 308 pages, 6 unnumbered pages of plates) : illustrations
内容: Records on the radio --
Shifting currents in the mainstream --
Hustlers and amateurs --
Crossing over --
Surface noise --
"Hail! hail! rock and roll" --
New traditions.
叢書名: Tracking pop.
責任: Albin J. Zak III.

摘要:

The 1950s marked a radical transformation in American popular music as the nation drifted away from its love affair with big band swing to embrace the unschooled and unruly new sounds of rock 'n' roll. The sudden flood of records from the margins of the music industry left impressions on the pop soundscape that would eventually reshape long-established listening habits and expectations, as well as conventions of songwriting, performance, and recording. When Elvis Presley claimed, "I don't sound like nobody," a year before he made his first commercial record, he unwittingly articulated the era's musical Zeitgeist. The central story line of I Don't Sound Like Nobody is change itself. The book's characters include not just performers but engineers, producers, songwriters, label owners, radio personalities, and fans--all of them key players in the decade's musical transformation [Publisher description]
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