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| 類型/形式： | Electronic books Criticism, interpretation, etc |
|---|---|
| 其他的實體格式： | Print version: Zak, Albin. I don't sound like nobody. Ann Arbor : University of Michigan Press, ©2010 (DLC) 2010014120 (OCoLC)605019233 |
| 資料類型： | 文獻, 政府刊物, 州政府或者省政府刊物, 網際網路資源 |
| 文件類型 | 網際網路資源, 電腦檔案 |
| 所有的作者/貢獻者： |
Albin Zak |
| ISBN: | 9780472024544 047202454X 1282882961 9781282882966 9786612882968 6612882964 |
| 語言註釋： | English. |
| OCLC系統控制編碼： | 671648362 |
| 描述： | 1 online resource (x, 308 pages, 6 unnumbered pages of plates) : illustrations |
| 内容： | Records on the radio -- Shifting currents in the mainstream -- Hustlers and amateurs -- Crossing over -- Surface noise -- "Hail! hail! rock and roll" -- New traditions. |
| 叢書名： | Tracking pop. |
| 責任： | Albin J. Zak III. |
摘要：
The 1950s marked a radical transformation in American popular music as the nation drifted away from its love affair with big band swing to embrace the unschooled and unruly new sounds of rock 'n' roll. The sudden flood of records from the margins of the music industry left impressions on the pop soundscape that would eventually reshape long-established listening habits and expectations, as well as conventions of songwriting, performance, and recording. When Elvis Presley claimed, "I don't sound like nobody," a year before he made his first commercial record, he unwittingly articulated the era's musical Zeitgeist. The central story line of I Don't Sound Like Nobody is change itself. The book's characters include not just performers but engineers, producers, songwriters, label owners, radio personalities, and fans--all of them key players in the decade's musical transformation [Publisher description]
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